Sarah Belden of SBFA: An Art Consultant Abroad
Sarah Belden, an artist advisor, curator and dealer. Sarah Belden's career can be summarized by one word: Bold. Sarah left her job in her 30's and was still employed.
director at a renowned contemporary gallery of art director at a leading contemporary art gallery Chelsea, NYC, to relocate to Berlin and establish her own gallery that is trailblazing, Curators Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Without Borders -an art gallery that is a
platform for curatorial experimentation.
To fund the gallery, Sarah secured a financial supporter -- a prominent collector from NYC -- and regularly organized gallery shows that were both elegant and sophisticated.
Even by Berlin's high-conceptual standards it's incredibly Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields innovative. Sarah was the curator of shows that showcased young artists.
They have been praised by critics since then.
In one of her most provocative exhibitions, Invisible Invincible, Sarah included a piece of Polish artist Agnieszka Kurant, an actual parrot which was
taught to trained to "I am not an animal," thus questioning Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields his own existence. The Solomon R. Guggenheim Museum was later able to ask Kurant to create The
End of Signature is an interactive digital artwork that was projected onto the museum's facade. The Guggenheim eventually purchased it for its permanent collection.
Gallery's programming was cut by taking on the risk of Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields undiscovered artists who were young and allowing them to be free to create new experimental pieces.
They are also more commodifiable than traditional gallery collections of white cubes. It made Sarah's job harder as a dealer, but it also boosted her standing.
Berlin art scene as an exciting young curator, gallerist.
Sarah was also represented by Daniel Knorr from Romania, Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields who later represented Romania in the 51st Venice Biennale. She was joined by two young Canadians.
Michel de Broin and Jeremy Shaw were both awarded the famous Sobey Art Award. They have exhibited their work in major art galleries and museums since the award.
Such as like the Palais de Tokyo (Paris). Sarah organized Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields a live performance called Opening, Closing, performed by David Levine, a cross-disciplinarian artist. Levine
In New York, she has since shown her art at MoMA and was awarded the famous Guggenheim award.
SB You are right. I had, just as many other artists, close my Berlin gallery in 2008 due to the financial crisis. But, there was an upside.
I was able to relocate allowed me to move to Spain and Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields Fix Fields settle with my husband allowed me to move to Spain and settle with my husband in Madrid (we were previously in a long-distance relationship). After he had finished his Ph.D.
The offer was made to him for a job in the University of Okayama Japan and so we moved there for the year 2011. It wasn't until my son was able to begin kindergarten in Japan that
I was able to return to work full time.
This was the moment I knew that I had to return to the world of art. I have always had a desire to curate, work creatively alongside artists, and continually discover.
Studio visits with new talent It's my love. That's my favorite thing.
I also needed a livelihood, but I had all the experience from abroad. I decided to leverage my networks and make the most of all my previous experiences.
Experience in the creation of a sustainable business model business that could be operated from Japan or any other location. Retrospectively, with the spread of pandemics
This has been a great way to be able to work from home and also meet the new norm of WFH.